Posts Tagged ‘Stoke Newington’

new London art

Tuesday, April 20th, 2010

sounding out

On Saturday 10th April, I took a walk over to Madame Lillie’s gallery in Stoke Newington, to view Sounding Out, an exhibition of artwork, photography & sound by Richard C Beard. I originally met Richard during an open evening at his artist studio on Manor Road, every inch of wall space was covered with various experiments as if his mind had literally exploded over four walls… I’m amazed the ceiling escaped.
By utter contrast, there was a neat folio on the desk filled with his most recent work, of which i1123 0926 grabbed my attention; linear mark-making, primary-colored minimalism with texture and a sense of purpose.


A few weeks later, the same image turned up on my door mat in the form of a postcard invite to Madame Lilly’s. Cazenove Road is tucked away and yet a stone’s throw from Stoke Newington Church Street, which is full of great pubs, cafe bars and general buzz on a Saturday afternoon. The gallery space used to be a corset factory and has retained some of its old character. Abstract sounds mixed with bird song chirruped along with Richard’s works-on-paper, delicately pegged, pinned, and having dispensed with costly framing formalities – this was art at it’s most raw. It was hard not to get excited about it, I’m so used to seeing art displayed in a clinical fashion whereas this felt immediate, welcoming and unpretentious.
It’s easy to spot various influences in Richard’s work, Rothko and Hodgkin being the most obvious, nevertheless, Richard’s voice is making itself heard; the leap he has made only in the space of a few weeks was marked and I can’t help feeling excited about what this artist could ultimately contribute if he persists… and I really hope he does. The thing that makes Richard an artist at heart is his unequivocal child-like courage for experimentation, and I find this incredibly inspiring. The enhancement of mixing sound with art seems obvious to me, and yet I can’t help wondering why sound isn’t used more often in artist exhibitions; engaging as many of the senses as possible has become an art form within the retail sector, and yet barely used where real soul engagement is possible, and preferable.
The bottom line is that the Richard C Beard experience was enjoyable and memorable. To paraphrase Elizabeth Gilbert, keep turning up for your job Richard, Olé !

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TED. com Elizabeth Gilbert on nurturing creativity
www.madamelillies.org
www.theothers.uk.com

The Virgin of Green Lanes Finsbury Park

Saturday, December 12th, 2009

I was the archetypal reluctant Londoner up until fairly recently. I moved from the 22mph Yorkshire Dales to 122mph London around this time five years ago (feels like yesterday). After renting a shoebox in Islington for two years, my Converse were seeking better value per square feet, so I found myself moving to the Green Lanes area of Finsbury Park. Anyone who is familiar with Islington knows that there is little necessity to venture any further, it’s fairly self-sufficient. However, the danger is that one can spend their entire life in this compact chi-chi environment and lose all perspective of the broader context of London.
It is an extraordinary privilege to live by a park, especially in this metropolis. I’m positive that having doorstep access to green space has saved me from dropping the odd marble. In the course of five years I’ve taken time out to stroll through as many of London’s park’s as possible, and yet I still love Finsbury Park above all others. It’s trees are phenomenal, and in springtime the park explodes with cherry blossom the likes of which I’ve never seen anywhere else. There is a natural easy magic in Finsbury, it doesn’t need to try hard to be a great park.
Green Lanes (according to Wiki) is possibly the longest road in London, so I can’t speak for it’s entire stretch, however the area adjacent to the park is choca with authentic Greek and Turkish deli’s, cafés and eateries. The food options are seriously mind-boggling and it’s possible to eat like a siroche na dache as my mum would say; an orphan at a feast, for a fiver. It took me a while to really appreciate my local habitat, it’s a radical adjustment from the manicure of Islington High Street, but I wouldn’t trade it for all the chi in London. There is an authenticity to Green Lanes Finsbury Park, the love of which gravitates to the heart by some mystical force of osmosis, and sets up camp.
At the back end of this summer, I spotted one female artist strolling barefoot along the Ashram, canvas in one hand, fag in the other. It made me smile; this area has become a magnet for all types of artists and musicians, which I was oblivious to when I first arrived; from Stokie’s artist studios to Finsbury Park’s warehouses, Green Lanes is fast becoming the new frontier for London’s creative edge. There is a palpable feel-good buzz factor in the area, and it’s on the increase. Houses that were begging for TLC are receiving much-needed make-overs; the Ashram is certainly looking tidier than it was even a year ago.
Hoxton and Spitalfields have experienced their own brand of radical regeneration, however, there is a double-edge sword of pretension that creeps in like poison ivy; the ‘too cool for school’ syndrome kicks in which thus negates the original authenticity that makes an area so coveted in the first place. Green Lanes Finsbury Park is relaxed to horizontal; there are less obvious foot-holds for the developers, and with a pumping east-European artery, she is more likely to keep her virginity in tact. Either that, or we may have to invest in a chastity belt.

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