Posts Tagged ‘spiritual art’

white diary

Friday, June 18th, 2010

You may wander through the universe incognito;
Make vassals of the gods; be ever youthful;
You may walk on water and live in fire:
But control of the mind is better and more difficult.

Thayumanavar

Do not do what you want, and then you may do what you like
Sadasiva

Project: WHITE DIARY
Image: abstract collage, calligraphy, Chinese bamboo pen
Media: Khadi paper, Dyed Himalayan Lokta, Indian ink

Extracts from Autobiography of a Yogi by Paramahansa Yogananda

white diary

Thursday, June 17th, 2010

Hong Sau with reverance
illumination of the temple by a hundred thousand lights, lakshadipam*
crumpled paper is really satisfying

Project: WHITE DIARY
Image: abstract collage, calligraphy, Chinese bamboo pen
Media: Khadi paper, Khadi Nepalese-dyed Lokta, Indian ink

* Autobiography of a Yogi, by Paramahansa Yogananda

Eckhart Tolle on Art

Tuesday, June 1st, 2010

Eckhart Tolle

an excerpt transcript from the Findhorn Retreat

…the original reason for all art is the sacred, to be a portal, an access point for the sacred… in it you see yourself reflected, the formless reflected, shining through the form, that is true art…

Some music can have a divine function too… in some rare cases it still has.
Music that comes out of the stillness, that when you listen to music that came out of the stillness, whoever created it or whoever is playing it or singing it, it comes out of that state of consciousness, and then it assumes a form, and yet the form is fresh and new, and it has come out of that and the stillness still clings to it as a fragrance, it still emanates that, even if its sound.

And that’s the beauty of all art, true art, it reflects still that state of consciousness out of which it comes.

And then you have a lot of pseudo-art in this world where clever minds are trying to be even more clever – ‘lets think of something new, what can we do here? Maybe we can put that here or that could go there, that would look clever…’ They call it art, but it lacks something, its totally trapped in form, there’s only manipulating old forms, nothing new has come in, and nothing that can lead you back to the formless, which is the original reason for all art is the sacred, to be a portal, an access point for the sacred, so that when you see it or experience it, you experience yourself, in it you see yourself reflected, the formless reflected, shining through the form, that is true art, always there is more than what you see or hear…there is more than that, and that shines through the form, and that is what can happen to you, what is happening to you. Ultimately it’s not everybody’s purpose to create works of art, a few humans do that, that is their function, partly, in this world, but much more importantly is for you to become that work of art, your whole life, and you’re very being becomes transparent so that the formless can shine through, and that happens when you are no longer totally identified with the world of form, and that happens when you have access to the realm of stillness within yourself.

And then something emanates through the form that has nothing to do with the form, it may emanate only as a silent emanation and not assume any form as such… there have been very few in the past, holy people…

What is the new state of consciousness that is arising?
It is the state that is balanced – the two dimensions, the manifested and the unmanifested, balanced in a human being. And that is such a radical transformation that when a certain number of humans live in that way so they become what before was a work of art, you become the work of art, you become that which is transparent to the formless, the divine… that will change the entire world, the human-made world will be changed completely… the important thing is for us to enter that new state.
What that does to your story who knows?
You cannot predict, nor do you need to predict that. Are you going to become a great artist, are you going to win Wimbledon? Bear in mind that great artists and the tennis players are not enlightened masters – they have access to that which is greater than the limited human mind in the small field of their activity, and most of them, when they go back into normal life, away from where they have mastery, they are just as mad as everybody else – and sometimes even more mad – because sometimes the mind-made entity gets in there and looks at what they did and says ‘I did that, that was me’ – the greatest illusion. Then of course… the ego identifies with whatever came out of the state of no ego… and then begins to believe what other people are saying about you, and that you are the greatest – they project their images of specialness onto you…

…where there’s even a glimpse of aliveness and freshness, yes there’s something there, and then the personality, the person comes back the moment they step back from the act of creation or the performance, they step back and there’s the old personality, and sometimes it’s a dreadful burden for some ability that comes from the non-personal realm to be integrated into the person, and they just can’t do it, it’s totally misperceived, just as the world misperceives it, and then they believe themselves to be very special – and there comes a huge conflict between power that comes out of the formless and the limited person that misinterprets it and claims something out of that.

The magic that comes from the formless realm into your life, when you look at our civilization, seems to be gone completely, because the civilization is almost totally not sacred, it is profane – it is a dreary burdensome structure that humans have created – when you look at the mainstream civilization. So many humans seem to be tired… there’s a weariness that they carry, the civilization is grinding them down, another day of pointless running around, and even those that are still running around, they know that it is pointless – what’s the point?

And so there are many reasons why the entire civilization is reaching a point of collapse, and one is that the humans that are still sustaining it, they can’t carry the burden of their self-created structures anymore – absurd complexity for the sake of complexity – mind created, just a reflection of their state of consciousness, in which there is no gap in the stream of one thought after another – the voice in the head that never stops speaking becomes a civilization that is obsessed with form, that is obsessed with things – and it therefore knows nothing of that which you could say is the most important dimension of human existence – the sacred – the stillness – the formless – the divine – all these have become meaningless in our civilization. And yet, many humans are beginning to realize what’s happening, and so there is in many a search for something else – and that number of humans is growing everyday – and that’s the beauty of it.

…you could say there is the canvas on which the perception is painted, there is a background of spacious stillness, that’s yourself, that’s the consciousness that you are – formless… there is something within you that recognizes the impermanent nature of all life forms… and the more you realize the impermanence of all forms, the more you are aware of the formless within yourself… awareness aware of itself.

inspiring, awakening, healing… through art

Sunday, May 2nd, 2010
click here for the VA art gallery

click here

home

home

• – - – - : • – - – -

PROJECT 11:11
11 hand-painted works
ascending at Vesna Abstract
ART>INK ON PAPER

new paintings:

Cuneiform

Gabriel

I’m currently working on…

Sunday, May 2nd, 2010

…Soul Fragments

…a group of paintings on paper, using blue and black ink. I’m blending calligraphic style brush work with the mental domain of geometric forms. Narrowing the colour palette allows for concentrated experimentation with form and texture. The calligraphic and textural elements are indicative of the etheric body, while the geometric personalities represent thought forms.
This current project has been inspired by the shamanic practice of soul retrieval, of which the aim is to reintegrate soul fragments that have become disconnected through trauma. Soul Fragments will be launched on VA later this year.

V

pigeon enlightenment

Monday, December 28th, 2009

Pigeon Enlightenment 2009 by Vesna Milinkovic

This morning in Finsbury Park while running off Christmas, I passed the same guy (I’m calling him Frank) still polishing his very shiny black car and joyfully blasting tunes from his car stereo. Really makes me smile. I also ran passed a woman in a black cloak trying to enlighten a pigeon by repeating ‘Spirit’ to the bird. I think the pigeon was on the verge of an awakening.

V


Gabriel

Wednesday, December 9th, 2009

GABRIEL

Gabriel 2009 by Vesna MilinkovicThe Annunciate, incorporeal being in blue, witness of Passion.

Gabriel, spirit of truth and personification of the Holy Spirit.

Gabriel, 2009

acrylic on canvas
100cm x 100cm

A new abstract painting
by Vesna Milinkovic, also available as a gicleé print, online at

Vesna Abstract


~

~

~

related article: angelgirl

~

E=mc2

Tuesday, December 1st, 2009

There’s a great little book by Paul Arden, Whatever you Think, Think The Opposite.

So I applied that to Einstein’s theory of relativity: √mc = E

Conclusion: get to the root of the matter & release a load of energy.

E=mc2 by Vesna Milinkovic

Genius.

V

E=mc2

by Vesna Milinkovic © 2009

Norman Adams, RA

Monday, November 30th, 2009

Art has always been related to Spirituality. I can’t conceive of art without it.

Norman Adams RA, (1927-2005)

Rainbow Painting (1) 1966, Norman Adams RAThe above quote is written on the back of a card I bought from The Royal Academy, which I rediscovered recently. Rainbow Painting (1) 1966 has been glued to my studio wall for at least a couple years, and it still makes me smile.

As a romantic artist I suppose my concern is with the usual problems of life-death, body-soul, tangible-intangible, time-space etc. The translucent and ephemeral quality of the rainbow contrasts powerfully with the weight of the sea. Yet both rainbow and sea are complete entities—independent yet integrally related—like the body and the soul.

Norman Adams RA

He once described himself as a ‘compulsive believer’. There are many religions that people believe in: Norman could believe in them all…

www.normanadams.mfbiz.com

spiritual art

Friday, November 6th, 2009

Concerning The

Spiritual

In Art

Why spiritual art?
Why not just art?
You’re weird aren’t you… you’re one of those?

Back in early 2000 and something, I did a couple years of undergraduate study in philosophy with The Open University. I was really excited about it. I experienced an amazing first year exploring The Human Situation, and my second year was a focus on the field I love the most… art.
What could possibly go wrong?

Music Conducted In The Rain

Music Conducted In The Rain

I was really organised, mind-maps at the ready, prepping from word go for my end of year exam.
While almost having completed the course, I spent one evening reviewing my notes. In doing so, I became aware of feeling intensely frustrated; I realised that I didn’t believe in any of the information I was willingly committing to memory.

When it came to exploring the question What Is Art?, nothing I had been instructed to read came even close to tapping the truth. At the time, I couldn’t quite grasp what the truth might look like… but I knew it was out there, like space… another frontier, hopefully not so final. This particular realisation came as a bit of a blow at the time, which presented me with a dilemma. Do I memorise utterly useless information and outdated concepts for the sake of passing my second year, or do I quit now before I do any lasting damage to my synapses?
I decided that encouraging my ability to think for myself was more important, and so I defiantly boycotted the exam.

While I continued to read the odd bit of Bertrand Russell, my imagination was being gently captivated by the metaphysics section of the book store. One mind-bending book led to another, which would thus lead to another five, and so on, multiplying like rabbits on Viagra. Years later, my home resembles some strange landscape of totem stalagmites, made entirely of books, depositing in obscure places, and in alternate subject layers of art and spirituality.
A good friend and Demartini practitioner said to me ‘ten minutes in a persons home and I’ll tell them exactly what their life purpose is.’

Well. It took me a little longer than ten minutes. Try ten years.

I now realise that the frontier had come to me; a precipitated truth in the shape of book deposits. The concept of spirituality in art was now dripping upwards from my book totems and slowly crystallizing between my ears.

Synchronously, in the summer of 2006, Tate Modern exhibited The Path To Abstraction, an impressive collection of 80 Kandinsky works charting his journey through The Blue Rider group and Bauhaus periods. The Tate describes Wassily Kandinsky as;

‘a modernist master’ who ‘began to conceive of painting as an alternative pathway to spiritual reality… In abstraction, Kandinsky felt that he had discovered a spiritual reality which was more powerful for not being tied to the outside world – an alternative music for the senses.’

Swallows In My Dreams

Swallows In My Dreams

This was one art exhibition I felt compelled to visit. Even so, it was yet another two years before I read Kandinsky’s seminal work, Concerning The Spiritual In Art. The artist explores concepts of inner resonance or vibration of the soul as spiritual experience, facilitated by art, specifically the cause and effect of painting and colour on the soul.

It began to dawn on me that art and spirituality, within the current context of western culture, generally appear to be presented to us with an inference of mutual exclusivity. Mixing the two feels very much taboo. While there has been a renaissance in mind body spirit associated subjects in the past decade, there seems to be a black hole when it comes to serious exploration of the spiritual within art. This only serves to highlight, not only the significance of Kandinsky’s work, but the courage it must have taken to propose such theories, especially in a time devoid of the spiritual awakening we are now experiencing.

The spiritual in art is a part of every indigenous culture, indeed the indigenous Way is one of Spirit which guides every aspect of life, and is therefore inseparable from their higher forms of expression. This is not a new concept, this is an ancient practice that has been marginalised (as have the indigenous) in the race for egoic power. However, times are a changing, the feminine principle is making her presence felt, we are in the throws of rediscovering our spiritual roots once again. This is the early train to recovery, destination: Spirit.

Michelangelo is quoted as having said ‘the true work of art is but a shadow of the divine perfection.’ This implies a creativity that strives for such perfection. Our creations can only ever be a reflection of our true state. It is impossible to escape the reality of what we have created for ourselves thus far, and yet it is entirely possible, critical even, that we take responsibility for our creations. Only then can we truly expect to elevate ourselves from mere struggle for survival. It is in the striving, the creative process, that we reach for a better version of ourselves. It is time that we recognise, openly acknowledge, and celebrate the relationship between art and spirituality, contrary to what society would have us believe, as inseparable. Like Picasso once said, ‘God is really only another artist.’

V