You may wander through the universe incognito;
Make vassals of the gods; be ever youthful;
You may walk on water and live in fire:
But control of the mind is better and more difficult.
Thayumanavar
Do not do what you want, and then you may do what you like
Sadasiva
Project: WHITE DIARY
Image: abstract collage, calligraphy, Chinese bamboo pen
Media: Khadi paper, Dyed Himalayan Lokta, Indian ink
Extracts from Autobiography of a Yogi by Paramahansa Yogananda
…the Bernard Jacobson Gallery held a preview of William Tillyer’s new paintings, a series of innovative metal lattice works inspired by Tillyer’s cloud study of the Helmsley sky in Yorkshire. Clearly a man of his word, Mr. Jacobson had promised to introduce my friend & I to the artist, and indeed, Mr.Tillyer snuck up on us while we were enthusiastically flicking through an archive book of his exceptional water-colours. It was a real treat actually, and a privilege, I mean how often does one get the opportunity to ask an accomplished artist such daft questions as ‘what prompted you to start painting?’, it was like asking a fish why they like swimming. More insightful, however, was Tillyer’s description of his long-term love affair with employing interactive materials as part of his creative process, while using the archive book as a reference point to demonstrate. ‘Do you remember every piece of work you’ve ever created?’ asked my friend, ‘oh yes, every one’ Mr. Tillyer replied. At the age of 71 that’s not bad going, given that I seldom remember what I had for breakfast. The last two paragraphs of the artist’s wall-mounted notes are especially poignant, and for me, sums up the motivation behind artistic endeavor:
‘This simple observation states my need to ‘prick the bubble’ and operate in today’s ever narrowing gap between order and chaos, the romantic, scientific, rural and urban, and most of all between control, and letting go.
In setting down these brief notes, I have started with the least important aspects of theme, or any other body of work. It is the very last point, that gap, that space between, for which I have no real name that is important, and in the end that which I am unable to verbalize.’ William Tillyer 2010
I can’t speak for anyone else, but I definitely floated away on a Tillyer Cloud 9.
V
William Tillyer etching Clouds 2010
Tillyer etching Clouds, work in progress 2009
Tillyer Bloworth Blue
Ed: note that from June 24th, the Bernard Jacobson Gallery is holding the first exhibition of new work by Pierre Soulages in London since 1972 – not to be missed!
…Soul Fragments …a group of paintings on paper, using blue and black ink. I’m blending calligraphic style brush work with the mental domain of geometric forms. Narrowing the colour palette allows for concentrated experimentation with form and texture. The calligraphic and textural elements are indicative of the etheric body, while the geometric personalities represent thought forms.
This current project has been inspired by the shamanic practice of soul retrieval, of which the aim is to reintegrate soul fragments that have become disconnected through trauma. Soul Fragments will be launched on VA later this year.
V