Posts Tagged ‘Art Quotes’

Tillyer Cloud 9

Thursday, May 20th, 2010

Clouds on a warm Tuesday evening

…the Bernard Jacobson Gallery held a preview of William Tillyer’s new paintings, a series of innovative metal lattice works inspired by Tillyer’s cloud study of the Helmsley sky in Yorkshire. Clearly a man of his word, Mr. Jacobson had promised to introduce my friend & I to the artist, and indeed, Mr.Tillyer snuck up on us while we were enthusiastically flicking through an archive book of his exceptional water-colours. It was a real treat actually, and a privilege, I mean how often does one get the opportunity to ask an accomplished artist such daft questions as ‘what prompted you to start painting?’, it was like asking a fish why they like swimming. More insightful, however, was Tillyer’s description of his long-term love affair with employing interactive materials as part of his creative process, while using the archive book as a reference point to demonstrate. ‘Do you remember every piece of work you’ve ever created?’ asked my friend, ‘oh yes, every one’ Mr. Tillyer replied. At the age of 71 that’s not bad going, given that I seldom remember what I had for breakfast. The last two paragraphs of the artist’s wall-mounted notes are especially poignant, and for me, sums up the motivation behind artistic endeavor:

‘This simple observation states my need to ‘prick the bubble’ and operate in today’s ever narrowing gap between order and chaos, the romantic, scientific, rural and urban, and most of all between control, and letting go.
In setting down these brief notes, I have started with the least important aspects of theme, or any other body of work. It is the very last point, that gap, that space between, for which I have no real name that is important, and in the end that which I am unable to verbalize.’
William Tillyer 2010

I can’t speak for anyone else, but I definitely floated away on a Tillyer Cloud 9.

V

William Tillyer etching Clouds 2010

Tillyer etching Clouds, work in progress 2009

Tillyer Bloworth Blue


Ed: note that from June 24th, the Bernard Jacobson Gallery is holding the first exhibition of new work by Pierre Soulages in London since 1972 – not to be missed!

www.TILLYER.com

www.jacobsongallery.com

Norman Adams, RA

Monday, November 30th, 2009

Art has always been related to Spirituality. I can’t conceive of art without it.

Norman Adams RA, (1927-2005)

Rainbow Painting (1) 1966, Norman Adams RAThe above quote is written on the back of a card I bought from The Royal Academy, which I rediscovered recently. Rainbow Painting (1) 1966 has been glued to my studio wall for at least a couple years, and it still makes me smile.

As a romantic artist I suppose my concern is with the usual problems of life-death, body-soul, tangible-intangible, time-space etc. The translucent and ephemeral quality of the rainbow contrasts powerfully with the weight of the sea. Yet both rainbow and sea are complete entities—independent yet integrally related—like the body and the soul.

Norman Adams RA

He once described himself as a ‘compulsive believer’. There are many religions that people believe in: Norman could believe in them all…

www.normanadams.mfbiz.com

spiritual art

Friday, November 6th, 2009

Concerning The

Spiritual

In Art

Why spiritual art?
Why not just art?
You’re weird aren’t you… you’re one of those?

Back in early 2000 and something, I did a couple years of undergraduate study in philosophy with The Open University. I was really excited about it. I experienced an amazing first year exploring The Human Situation, and my second year was a focus on the field I love the most… art.
What could possibly go wrong?

Music Conducted In The Rain

Music Conducted In The Rain

I was really organised, mind-maps at the ready, prepping from word go for my end of year exam.
While almost having completed the course, I spent one evening reviewing my notes. In doing so, I became aware of feeling intensely frustrated; I realised that I didn’t believe in any of the information I was willingly committing to memory.

When it came to exploring the question What Is Art?, nothing I had been instructed to read came even close to tapping the truth. At the time, I couldn’t quite grasp what the truth might look like… but I knew it was out there, like space… another frontier, hopefully not so final. This particular realisation came as a bit of a blow at the time, which presented me with a dilemma. Do I memorise utterly useless information and outdated concepts for the sake of passing my second year, or do I quit now before I do any lasting damage to my synapses?
I decided that encouraging my ability to think for myself was more important, and so I defiantly boycotted the exam.

While I continued to read the odd bit of Bertrand Russell, my imagination was being gently captivated by the metaphysics section of the book store. One mind-bending book led to another, which would thus lead to another five, and so on, multiplying like rabbits on Viagra. Years later, my home resembles some strange landscape of totem stalagmites, made entirely of books, depositing in obscure places, and in alternate subject layers of art and spirituality.
A good friend and Demartini practitioner said to me ‘ten minutes in a persons home and I’ll tell them exactly what their life purpose is.’

Well. It took me a little longer than ten minutes. Try ten years.

I now realise that the frontier had come to me; a precipitated truth in the shape of book deposits. The concept of spirituality in art was now dripping upwards from my book totems and slowly crystallizing between my ears.

Synchronously, in the summer of 2006, Tate Modern exhibited The Path To Abstraction, an impressive collection of 80 Kandinsky works charting his journey through The Blue Rider group and Bauhaus periods. The Tate describes Wassily Kandinsky as;

‘a modernist master’ who ‘began to conceive of painting as an alternative pathway to spiritual reality… In abstraction, Kandinsky felt that he had discovered a spiritual reality which was more powerful for not being tied to the outside world – an alternative music for the senses.’

Swallows In My Dreams

Swallows In My Dreams

This was one art exhibition I felt compelled to visit. Even so, it was yet another two years before I read Kandinsky’s seminal work, Concerning The Spiritual In Art. The artist explores concepts of inner resonance or vibration of the soul as spiritual experience, facilitated by art, specifically the cause and effect of painting and colour on the soul.

It began to dawn on me that art and spirituality, within the current context of western culture, generally appear to be presented to us with an inference of mutual exclusivity. Mixing the two feels very much taboo. While there has been a renaissance in mind body spirit associated subjects in the past decade, there seems to be a black hole when it comes to serious exploration of the spiritual within art. This only serves to highlight, not only the significance of Kandinsky’s work, but the courage it must have taken to propose such theories, especially in a time devoid of the spiritual awakening we are now experiencing.

The spiritual in art is a part of every indigenous culture, indeed the indigenous Way is one of Spirit which guides every aspect of life, and is therefore inseparable from their higher forms of expression. This is not a new concept, this is an ancient practice that has been marginalised (as have the indigenous) in the race for egoic power. However, times are a changing, the feminine principle is making her presence felt, we are in the throws of rediscovering our spiritual roots once again. This is the early train to recovery, destination: Spirit.

Michelangelo is quoted as having said ‘the true work of art is but a shadow of the divine perfection.’ This implies a creativity that strives for such perfection. Our creations can only ever be a reflection of our true state. It is impossible to escape the reality of what we have created for ourselves thus far, and yet it is entirely possible, critical even, that we take responsibility for our creations. Only then can we truly expect to elevate ourselves from mere struggle for survival. It is in the striving, the creative process, that we reach for a better version of ourselves. It is time that we recognise, openly acknowledge, and celebrate the relationship between art and spirituality, contrary to what society would have us believe, as inseparable. Like Picasso once said, ‘God is really only another artist.’

V

be pure

Saturday, October 31st, 2009

Compromise comes from a fear of being pure.

Eero Saarinen (1910-1961)


N`:-O

Thursday, October 29th, 2009

I wouldn’t marry God if he asked me.

Louise Berliawsky Nevelson (1899-1988)

Ψ

a life without art

Monday, August 10th, 2009

A Life Without Art

A life without the love of art
is an empty, wasted life.
Nothing else matters.
Other words are nonsense on this path.

Rumi


Editor’s comment:  Harsh… but fair!


Hit Me Hard… and Fast

Friday, August 7th, 2009

In this world, modern artists are a sort of spiritual underground.

Robert Motherwell (1915-1991)

Painting is the opposite of death, it permits one to survive, it also permits one to live.

Joan Mitchell (1925-1992)

Colour is light, and light is the manifestation of creation. Without light there would be no life, and no existence. Light, in fact, is the primary witness of creation.

Edgar Cayce, Auras

A drawing is the gushing forth of an awakening spirit.

Georges Rouault (1871-1958)

You are not on this planet to produce anything with your body. You are on this planet to produce something with your soul. Your body is simply and merely the tool of your soul. Your mind is the power that makes the body go. So what you have here is a power tool, used in the creation of the soul’s desire.

Neale Donald Walsch, Conversations With God, book 1

Painting is a state of being…

Jackson Pollock (1912-1956)

The position of the artist is humble. He is essentially a channel.

Piet Mondrian (1872-1944)

I saw shapes on the ceiling…

Joan Miro (1893-1983)

Surrealism had a great effect on me because then I realised that the imagery in my mind wasn’t insanity. Surrealism to me is reality.

John Lennon

I believe that any kind of transcendence, spirituality or redemption, starts with the ordinary.

Sean Scully (b.1945)

Art is a collaboration between God and the artist, and the less the artist does the better.

Andre Gide (1869-1951)

I believe in God, but not as one thing, not as an old man in the sky. I believe that what people call God is something in all of us. I believe that what Jesus and Mohammed and Buddha and all the rest said was right. It’s just that the translations have gone wrong.

John Lennon

Spiritual truth must be lived in practical life to change everyday experience.

Neal Donald Walsch, Conversations with God, book 2

To us art is an adventure into an unknown world, which can be explored only by those willing to take the risks.

Mark Rothko, Adolph Gottlieb, Barnett Newman, New York Times, 1943

If I am searching for my spirituality, passionately, I must begin with me.

Jill Scott, One Is The Magic #

Dreams are like the paints of a great artist. Your dreams are your paints, the world is your canvas. Believing, is the brush that converts your dreams into a masterpiece of reality.

Pablo Picasso

Reality leaves a lot to the imagination.

John Lennon

I sit for two or three hours and then in fifteen minutes I can do a painting, but that’s part of it. You have to get ready and decide to jump up and do it.

Cy Twombly (b.1928), Cycles and Seasons

Faith removes limitation.

Napoleon Hill

It was just a kiss, a loving gesture. I kissed it without thinking; I thought the artist would understand….It was an artistic act provoked by the power of Art.

Rindy Sam, after she kissed one panel of Twombly’s triptych Phaedrus, 2007

My role in society, or any artist’s or poet’s role, is to try and express what we all feel. Not to tell people how to feel. Not as a preacher, not as a leader, but as a reflection of us all.

John Lennon

I am basically a poet who turned out badly.

Pablo Picasso (1881-1973)

I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.

Frida Kahlo (1907-1954)

I think with painting you can get rid of the problem of time. You can feel it abstracted in the rhythms, in the layers of the painting, but you are, for a moment, free.

Sean Scully (b.1945)

[For Mitchell] painting is like music – it is beyond life and death. It is another dimension.

Gisèle Barreau (b.1948)

If everyone demanded peace instead of another television set, then there’d be peace.

John Lennon

If at first, the idea is not absurd, then there is no hope for it.

Albert Einstein

There has never been such a fish.

Ernest Hemingway (1899-1961), The Old Man and the Sea.

Every artist dips his brush in his own soul, and paints his own nature into his pictures.

Henry Ward Beecher (1813-1887), Proverbs from Plymouth Pulpit, 1887

The progression of a painter’s work as it travels in time from point to point, will be toward clarity. toward the elimination of all obstacles between the painter and the idea. and the idea and the observer. To achieve this clarity is inevitably to be understood.

Mark Rothko (1903-1970)

The love of colour has to be real. In fact like love.

Sir Terry Frost (1915-2003)

Love comes very near to translating one’s thought impulses into their spiritual equivalent.

Napoleon Hill

If someone thinks that love and peace is a cliché that must have been left behind in the Sixties, that’s his problem. Love and peace are eternal.

John Lennon

You’re confusing product with process. Most people, when they criticize, whether they like it or hate it, they’re talking about product. That’s not art, that’s the result of art. Art, to whatever degree we can get a handle on (I’m not sure that we really can) is a process. It begins in the heart and the mind with the eyes and hands.

Jeff Melvoin, Northern Exposure, Fish Story, 1994

“Colour is the keyboard, the eyes are the hammer, the soul is the piano with the strings.”

Wassily Kandinsky

What I dream of is an art of balance.

Henri Matisse (1869-1954), O Magazine, April 2003

[Mahatma] Gandhi wielded more potential power than any man living in his time, and this despite the fact that he had none of the orthodox tools of power, such as money, battleships, soldiers and materials of warfare.

Napoleon Hill

Our society is run by insane people for insane objectives. I think we’re being run by maniacs for maniacal ends and I think I’m liable to be put away as insane for expressing that. That’s what’s insane about it.

John Lennon

As the world has become more technological, a human need for mystery and the individually authentic experience has become more desperate.

Sean Scully (b.1945)

Simply want nothing. Have preferences, but no needs. Yet this is a very high state of being: it is the place of Masters.

Neal Donald Walsch, Conversations with God, book 2